Как сделать фильм с собой в нейросети: 🔥Человек-паук с вами в главной роли

2026-07-13 19:03:57 Время чтения 9 мин 185

Как сделать фильм с собой в нейросети

Пока индустрия подогревает интерес к грядущим супергеройским премьерам, мы подготовили связку, которая позволяет интегрировать себя в сложную экшен-сцену

Промпты, как сделать себя в главной роли - ниже.

Шаг 1: Полет и динамика камеры
Прикрепите в Seedance 2.0 свое фото (или карту персонажа) и используйте первый промпт из инструкции. Он выстроит геометрию Манхэттена, ракурсы и механику использования паутины.

Шаг 2: Бесшовное приземление
Далее загрузите полученное видео из первого шага и то же самое фото. Этот промпт заставит нейросеть подхватить текущую траекторию полета и перевести ее в контролируемое приземление на автомобиль, не сбрасывая освещение, физику и внешность.

 Под какие задачи  
Создание фанатских трейлеров и персональных промо-роликов. Интеграция реальных людей в сложные CGI-сцены без 3D-моделирования. Динамичный контент для соцсетей с WOW-эффектом.

В какой нейросети генерировать?

1.  На сайте, раздел → «Видео» → вкладка «Seedance 2»

2.  В телеграм: Заходим в Телеграм-бот « Видео будущего» → «Seedance 2»

Блокбастер в нейросети с собой в главной роли

Как сделать себя в главной роли:

Шаг 1: В Seedance 2.0 прикрепляем свое фото или карту персонажа и вставляем этот промпт:

@image1 is the main character. Use the exact face from @image1.

Scene 1 — Apartment (night, NYC): Dimly lit modern apartment with a FULLY OPEN sliding window (glass slid aside, NO glass in frame, no reflections). Character sits on the sill, legs outside, BACK TO CAMERA, facing the glittering Manhattan skyline. Camera dollies in from behind, then arcs to his SIDE showing his face in profile. He smiles: "Ohh, look at this beautiful city." Stretches: "Ok, let's do some stretching." Then: "Let's go."

Scene 2 — Dive: He leans forward and falls through the open window head-first, BELLY DOWN, arms spread in a Superman/skydiver pose. Camera follows from behind and slightly above. Realistic freefall, wind in hoodie and hair, skyscraper glass rushing past.

Scene 3 — Low web-swinging through the streets:He falls almost to street level (3–5 m above the road). Then performs a chain of 4 low pendulum swings through the street canyon, weaving between taxis, traffic lights and storefronts — NEVER above rooftops.

Webs shoot ONLY from the INNER WRIST (wrist crease), never from chest/torso/body. Arm fully extended, hand visible, fingers in Spider-Man pose (middle+ring folded, index+pinky out).Thin, silky, translucent white web (not glowing, not neon, not a rope).Alternates RIGHT wrist → LEFT wrist → RIGHT → LEFT, each web attached to a DIFFERENT building at the 5th–15th floor level. Only ONE active web at a time; old web detaches and falls away before the next is fired.Realistic pendulum physics: when a web is attached, it PULLS HIM UP along a curved arc (up to ~8th–12th floor). At the top he releases → gravity takes over and he DROPS forward and down toward the street. Just above the taxis he fires a new web and rises again. Trajectory is a clear WAVE (up–down–up–down), never flat, never constant altitude. Web is always taut and straight.He laughs joyfully. Birds fly nearby. A helicopter blinks FAR above him (emphasizing he swings LOW). Camera: external third-person, handheld side/behind tracking at street level. NO first-person POV.

Final shot: Side-tracking shot at street level as he rises on a fresh web line between taxis and streetlamps, shouting: "Woohuuuu!"

Style: Cinematic blockbuster realism, nighttime NYC, anamorphic lens flare, wet asphalt reflections, shallow depth of field, 4K.

Audio: Room ambience, wind, freefall rush, alternating thwip sounds, web tension snaps, taxi honks below, laughter. No music. No subtitles.

Negative prompt: closed window, glass in front of character, lamp reflections on glass, web from chest/torso/stomach/shoulder/fingertips, web with no visible hand connection, closed fist or flat palm during shot, flat horizontal flight, constant altitude, gliding like a jet, slack or rubbery web, one endless web, multiple webs at once, glowing/neon/rope web, swinging above rooftops, aerial high-altitude view, first-person POV, character facing camera at start, falling feet-first or back-first, subtitles, text, watermark, music, identity change from @image1.

Шаг 2: Прикрепляем полученное видео из 1 генерации и свое фото + такой промпт:

THIS IS A DIRECT CONTINUATION OF @video1. Use @video1 as the exact continuity reference — same character, same motion, same camera style, same environment. Do NOT restart the scene, do NOT reset the action — continue seamlessly from the final frame of @video1.@image1 is the main character — use the exact face and outfit from @image1, matching identity from @video1.

Scene 4 — Taxi Landing (continuation of @video1):Picking up EXACTLY where @video1 ends — character is still mid-air on the last web swing, wave motion still completing (2–3 seconds of continued swing from @video1's final arc). Web detaches naturally, body curls into a controlled fall. He lands in a classic Spider-Man three-point crouch on the ROOF of a moving yellow NYC taxi — fist and both feet down, BACK STILL TURNED TO CAMERA, exactly matching the camera angle and framing style from @video1 (low, handheld, behind-the-character tracking).

Impact rocks the taxi — it swerves left-right-left, tires screeching, surrounding cars honking and braking. He stays balanced, crouched, still.

Camera move: Smooth 180° ORBIT around him — same handheld cinematic language as @video1 — arcing from behind to side to front, revealing his profile and face (matching @image1) as he rises to stand on the taxi roof, calm half-smile.

Scene 5 — Dismount & Walk:Taxi slows. He steps off, boots on wet pavement, brushes off shoulders/forearms, rolls his neck. Turns and walks down the sidewalk, hands in hoodie pocket, steam vents and NYC night lights behind him. Camera does a slow side-tracking follow at waist height, low angle — continuing the same visual grammar as @video1.

He mutters with a smirk: "Not bad for a Tuesday."

Style: MUST MATCH @video1 exactly — cinematic blockbuster realism, anamorphic lens flare, wet asphalt reflections, shallow depth of field, nighttime NYC palette, 4K, same color grading, same lens behavior, same camera handheld texture.

Audio: Taxi tires screeching, engine rev, honks, brief crowd murmur, footsteps on wet pavement, fabric rustle, ambient city hum. No music. No subtitles.

Negative prompt: disconnect from @video1 continuity, restarting the scene, resetting character position, identity change from @image1, face turned to camera before the orbit reveal, character floating instead of impacting taxi roof, taxi flying off ground, exaggerated cartoon physics, glowing effects, static camera, first-person POV, subtitles, text, watermark, music, extra limbs, distorted hands, inconsistent outfit, daytime lighting, style mismatch with @video1.

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